Two young men, one shy and one self-confident, spend a fast-paced night in Paris trying to pick up chicks. They confront every possible difficulty.
In order to get rid of his troublesome son François, Maître Gérane manages to have him committed to a mental hospital owned by Dr. Varmont, a supporter of traditional treatments, in constant conflict with Dr. Emery, whose therapy takes the psychology of patients into account. François soon makes friends with Heurtevent, a sweet epileptic, and both decide to escape from the place. Their attempt is a failure and Heurtevent, unable to get over what he considers a return to hell, commits suicide. But rebellious François tries again and this time around he is successful. He finds shelter at his friend Stephanie's home.
Shoot the Piano Player is a 1960 French New Wave crime drama film directed by François Truffaut that stars Charles Aznavour as the titular pianist with Marie Dubois, Nicole Berger, and Michèle Mercier as the three women in his life. It is based on the novel Down There by David Goodis.
A group of ten people are brought to a remote, vacant hotel in the middle of the Iranian desert by the mysterious Mr. U.N. Owen whom none of the guests have met. When they arrive, a tape recording left by Owen is played, informing them that each of them is guilty of murder but managed to get away with it. In each room of the hotel is a copy of the song "Ten Little Indians", and the moment the party begins, the guests are killed one by one, just like in the song.
In Danzig, young Agnes is entangled in a love triangle with her Polish cousin Jan Bronski and drug dealer Alfred Matzerath. She marries Alfred, but has a son, Oskar, with Bronski. On his third birthday, Oskar decides to stop growing. During the following years, the family is followed in the period between the two wars, and during the rise and fall of the Nazi regime.
Taxi for Tobruk (French: Un taxi pour Tobrouk) is a 1961 war film directed by Denys de La Patellière and starring Charles Aznavour, Lino Ventura and Hardy Krüger. It was made as a co-production between France, Spain and West Germany. The story takes place during World War II in the North African desert at the Battle of El Alamein. Location shooting took place in Almería in Spain. The film's sets were designed by the art director Paul-Louis Boutié.
This is a French film from 1962 directed by Julien Duvivier that consists of seven sketches (eight in the versions shown in Germany and Japan) played by an ensemble cast that includes Michel Simon, Micheline Presle, Françoise Arnoul, Mel Ferrer, Charles Aznavour, Lino Ventura, Fernandel, Alain Delon, Danielle Darrieux, Jean-Claude Brialy, and Louis de Funès.
The film contrasts a series of human failings with the ever-present hope of redemption and a snake (voiced by Claude Rich) adds the Devil's comments.
The devil and the ten commandments
Le Diable et les Dix Commandements
Testament of Orpheus (French: Le testament d'Orphée) is a 1960 black-and-white film with a few seconds of color film spliced in. Directed by and starring Jean Cocteau, who plays himself as an 18th-century poet, the film includes cameo appearances by Pablo Picasso, Jean Marais, Charles Aznavour, Jean-Pierre Leaud, and Yul Brynner. It is considered the final part of The Orphic Trilogy, following The Blood of a Poet (1930) and Orphée (1950).
One critic described it as a "wry, self-conscious re-examination of a lifetime's obsessions" with Cocteau placing himself at the center of the mythological and fictional world he spun throughout his books, films, plays and paintings. The film includes numerous instances of "double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as "a retrospective on the Cocteau œuvre".
It is a French-Italian comedy that explores the relationships of the youth of the 60s. Mocky draws five portraits of young girls who discover physical love for the first time. As the title suggests, this is a paradoxical and curiously poetic film.
Following the defeat of France by Germany during World War II, two French soldiers are taken as forced laborers on a German farm. In the years that follow, they become deeply involved in the life of their sensors.
Three petty criminals are given a clue for a big hit with a promise of big money. Unfortunately, they lack the funds for a necessary basic tool, the torch. So they convince their successful colleague Alphonse to join their team. The well-planned coup fails, and Alphonse and the only person between them are imprisoned for several years. As soon as he is released from prison, he prepares for revenge.
La Métamorphose des cloportes
Candy Christian (Ewa Aulin) is an innocent but lovely high school girl who finds herself on a long adventure of sexual discovery - in her extravagant travels, Candy encounters desire and madness by way of a drunken poet, a Mexican gardener, a patriotic General , a mad surgeon, and a mystical guru. Will the world's most valiant characters be able to have a sweet piece of Candy? Or will a final, bizarre derailment take over forever? John Astine, Charles Aznavour, John Huston, Elsa Martinelli, Florinda Bolkan, Anita Pallenberg, Enrico Maria Salerno, and boxing legend Sugar Ray Robinson star in this sexy, satirical '60s flick.
The wealthy, playboy son of a murdered South American politician discovers that his father was killed on the orders of the country's corrupt president - a man who had been his father's friend and helped him to rise to power. The son leaves his life of luxury in Europe to lead a revolution against the government, only to realize that things are not as black and white as assumed.
A group of prisoners are subjected to forced labor under the Nazis in France when their position is hit by a bombing raid by Allied forces. A few of the men take refuge in a supply building, but that building collapses from the bombardment, trapping them inside. The latter find themselves surrounded by food and wine, and Rouquet the Frenchman (Peter Sellers), Visconti the Italian (Charles Aznavour), Lund the Swede (Per Oscarsson) and the others optimistically await the arrival of help. But the hours turn into days, then weeks, then years.